"No, miss; and I think she has left the garden. She has gone up the back road." In other words, they had the whole place to themselves. It would have been a pleasure, in a different mood, to converse with that parlor-maid. "Neither do I, as yet. I must think—I must pray!" the girl pursued, smiling. "I can only say to you that I'll try. I want to try, you know—I want to help you." He stood looking at her so long on this that she added with much distinctness: "So you must leave me, please, quite alone with her. You must go straight back."!

She had the sense for a while of Mrs. Gereth's regarding her with the detachment of some stern, clever stranger. "Then what's the matter with you? Why do you want me to give in?" "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.

"Nor his mother, miss—not a soul of them back. A pack o' servants in charge—not the old lady's lot, eh? A nice job for care-takers! Some rotten chimley or one of them portable lamps set down in the wrong place. What has done it is this cruel, cruel night." Then as a great wave of smoke half choked them, he drew her with force to the little waiting room. "Awkward for you, miss—I see!" "Well, darling, what did you tell him?" Mrs. Gereth blandly inquired. She had perceived that he wouldn't speak of Mona without her beginning. After waiting fruitlessly now for him to say more, she continued: "She has been there again? She has seen the state of the house?"